Some of the best photos I've taken anywhere came off the back of the m/s Paul Gauguin, shooting from the marina platform as the light dropped behind Bora Bora. French Polynesia hands you colour most places can't, but a moving ship and hard tropical sun also make it easy to come home with a card full of glare. Over several sailings I've learned what gear earns its space and what stays home. Here's how I'd approach a week of shooting on this particular ship, both on board and ashore.
Gear that earns its place
I travel light on these trips. One body, a single versatile zoom in the 24-105mm range, and a polarising filter will cover most of what you see: lagoons, the ship, people, the odd distant motu. A polariser is the one accessory I won't sail without, because it cuts the glare off the water and brings the blues back. Add spare batteries, plenty of card storage, and a dry bag for tender rides, and you're set.
Shooting from a small ship
The Paul Gauguin tenders guests ashore and runs a watersports marina off the stern, which gives you angles you don't get from a big vessel. Brace against a railing, lift your shutter speed to freeze the swell, and shoot in short bursts when the boat is moving. Salt spray is the real enemy here, so keep a microfibre cloth handy and wipe the front element often.
Working with the island light
Midday sun in the tropics is harsh and flattens everything, so I shoot early and late whenever I can. The hour after sunrise over a quiet lagoon, or the last light from the top deck, is where the keepers come from. On bright days I look for shade and the soft light reflected off pale sand. Patience with the light does more for your photos than any lens.
Frequently asked questions
Can I fly a drone from the ship or the islands?
Sometimes, but it's regulated. French Polynesia has rules on drone use, and some sites and the ship itself restrict it; those rules change, so confirm current requirements before you travel and always ask the crew first.
Is a phone good enough?
For most people, yes. Modern phones handle bright lagoon scenes well; just tap to expose for the highlights so the sky doesn't blow out, and carry a simple waterproof pouch.
How do I protect gear from salt and humidity?
Keep everything in a sealed bag with a few silica packs, wipe down after every tender ride, and let cold gear warm up slowly when you come back inside to avoid condensation.
Planning a Paul Gauguin voyage? Tell us your dates and what you're dreaming of and we'll map it out for you.